Spring Cleaning

Clearing

I’d read the same paragraph about neuroplasticity three times and been unable to remember what the major point when I made the decision to kill off a part of myself. I did it with a tiny little pill. It will be a drawn out death, but it’s not a murder. It’s self-defense.

For as long as I can remember, a highly structured, complex fantasy world has occupied a good portion of my brain. Psychiatry journals tell me I use it to cope with anxiety and PTSD that I should be old and experienced enough to manage without a tiny little pill. But, as I annotated another article on the miracles and vulnerabilities of the human brain, I realized that by letting my cranial amusement park stay open, I’m a hypocrite.

My still embryonic career as a special educator has focused on children with intensive needs, specifically children with behavioral and mental health issues. I’ve been where many of them are. They’re my tribe. But the most important part of my job is to helping them be present in the world — something I’ve lacked the courage to do consistently. To be present for them, I know I have to be present for myself.

I’ve had the the pills (and several other similar prescriptions) in my pill drawer for a few weeks now. I’ve told myself I’m holding off to make sure the side effects don’t get in the way of work, but, after reading a paragraph three times because I keep returning to the fantasy world, I realized things are already getting in the way of the first truly meaningful professional experiences of my life. The fantasy world even gets in the way of making art.

There are things that get in the way of work and life that you can’t control like a chronic illness. I’m starting to accept mine, albeit ungracefully. But there are the things that you can control, and all of that control starts with being honest with yourself. Honest that mania and depression do not improve your creativity; they keep you from picking up the brush. They are not the inevitable byproduct of discovering a very real disability; they are the excuse to wallow in the fantasy world.

Killing that world is scary. It means cutting off and escape from reality. It’s even scarier than admitting that, in your fifties, you have the fantasy world in the first place. But, today, the realization that it, and not any disability, could keep me from doing the things I desperately want to do, meant that it, like a tumor, had to be irradiated.

Incubation

I used to think about December as the beginning of hibernation. Creative output always seems to slow down as the days get shorter, and work seems far more intrusive than it does in the crackling light of autumn.

For last last few weeks my output has followed the same trend. It took me a while to recognize the pattern because I initially blamed the slowdown the Ménière’s disease that’s been with me in earnest for a year now. Yesterday, though, as I drove down the mountain and had to stop and catch my breath as fast moving clouds dusted with powdered sugar the top of a mountain across the river, I realized that this time of year is not solely about hibernating.

To catch that moment, you would’ve had to be in the exact spot at the exact time with me. The peak of the mountain is almost hidden by two others that “overlap“ each other in the view that is only seen when coming down the road from our remote town to a “main“ route. The moment sparked attempts to repeats – something that shouldn’t be too difficult in Southwestern vermont in the winter – but it was the only one that day. The moment and the search germinated hours of wonder and reading and discovery.

What do I want to capture when I paint or draw? Moments of breathlessness? Revelations of the grit that lies at the foot of these mountains? Or appreciation of one the few places humans haven’t tamed?

Tonight will be occupied with the work of work, but in the back of my brain, the next painting session is germinating. It occurred to me that every racing thought, every quiet space that arrives with the dark of winter is not about hibernating through depression. Instead that darkness may just be the needed incubation for what will come next.

Hot Mess, Cool Brain

In the end, it’s the not just the content of the racing thoughts that drive people to a swallow that bottle of pills – I think it’s a  desperate to escape the noise inside your brain. I realized that a few weeks ago as I got out of bed just past midnight and padded to my office.

I’d been lying in bed tossing and turning over a health insurance question I knew I couldn’t solve that night. It was a vital one, affecting my ability to get and continue treatment for my and my sons chronic illnesses, but it was still a problem that had no midnight solutions. 

No matter how many times I rolled over to a different side to try to reframe the question, it wouldn’t be solved that night or in the middle of any night.

That’s what I told myself when I’d tried to go to bed an hour and a half earlier, and after 90 minutes of mentally calculating budgets and consequences, it was still true. Knowing it was true, however, didn’t stop the thought racing through my brain. I knew some of this is anxiety from the shooting in Texas and multiple threats against schools here in Vermont during the same week. 

I also know that is what mania feels like. Sometimes you get the fun mania – – you feel all powerful and try to take on as much of the world as you can before the inevitable crash. Other times — most of the time during one of many sleepless nights – you just can’t stop thinking about anything and everything. 

I see this in my students sometimes. An unnamed but very real trauma may completely derail any attempt to sit at a desk and learn. When they are vocalized, internal monologues escape at a fast and furious pace as these kids who have already seen too much try to process and suppress the memory of whatever has happened between school days. 

When I see it in my kids, I instinctively turn to art — not the meditation that comes from drawing, but the expression and venting that comes with color. The irony is, that as my own head had become crowded with worries over the last few months of school, I didn’t automatically return to art to quiet my own thoughts.

That night, battered by real worries I couldn’t resolve in the dark on a weekend and feeling steel bands of stress tighten around my chest, however, I finally hopped out of bed and went to my office, put on some music and started to paint. I didn’t know what I would paint and I didn’t care. The result at the end of a 45 minute session was a hot mess but a cool brain that, for a few critical moments, managed to escape the noise inside.

In the Moment

Today we got the veggies into the garden, And Mother Nature got into the act, coaxing bees into fruit blossoms and sending breezes through the sunlight trees. I admit, when I had to take a break between loads of compost or a stretch between planting rows, I let the siren call of social media pull me out of this long, glorious moment.

The irony was, that however anesthetized I may convince myself I am after a few minutes of doom scrolling, there is no social media post that can generate the sense of peace that comes from simply being in the moment with mother nature and all her glory. 

All too easily, I tend to drift into daydreaming, telling myself that I’m meditating. it’s an act I recognize quite often in my students, many of whom are dealing with trauma or their own mental health issues that keep them from being fully present. As The afternoon sun cast a spell on the forest around me, however, I am reminded that Any daydreams, any veering off into the anxieties produced by focusing on all the things beyond my control, is not meditative or productive.

In this moment, I’m focusing on the bees as they help get spring going, on the new leaves that are fairly glowing. And even though meditating on the wind traveling through the forest produces feelings of utter peace, it also makes me feel blessedly awake.

Better than Before

The girl had received bad news for the umpteenth time in the last few months. Her sobs of despair reverberated down the hall as she asked the powers that be, “What’s the point?”

“You’re the point!“ The cosmos answered in the form of a lanky young man charged with keeping order the school. “People like you are the point, “ he repeated. “Don’t you know that you all make us better?“

I smiled as I leaned my head towards the doorway to listen from my classroom. I was on standby for hugs and comfort, but my young coworker was already working his magic. And, as he elaborated on the ways our students make us better, I thought about how Thing1 and Thing2 have done that for me every day over the last 19 years.

Just before Thing1 was born, I still didn’t have a handle on my bipolar disorder. My depressive episodes sporadically threatened jobs, and manic phases spurred spending sprees and other self-destructive behavior.

But then Thing1 happened, and I knew I had to be better.

“Every day I go home after work and think about how to be better,“ my coworker said to the girl who was now listening quietly. “You do that for all of us.“

I thought of all the ways I have tried to be better for Thing1 and Thing2 over the years. I thought of the therapy I’ve sought and the examples I’ve tried to set.

Then I thought of all the ways our students spur me to be more organized, to learn more, to be better for them. It made me smile as I thought of how no matter what we will ever do for our own kids or for the ones we take care of during the day, we will always owe them far more for every day making us a little bit better than we were the day before.

A Little Night Mania

It’s 2 am and Jim-Bob is trying to decide if his lumpy human will be still long enough for him to pad a nice tummy wallow to sleep on . I’ve tossed, turned, shut off my screen and turned it back on half a dozen times since I first crawled into bed for some desperately needed sleep two hours ago. I know he thinks I’m about to fly right out of the room.

In my head, I’ve been flying for hours.

For hours I’ve been playing with the possibilities in my head. How hard would it be to do two master’s at the same time? I’ll finish the drawings for both books this weekend. I can finish this assignment , design that database and then check another online illustration course. Ooh, that story would be great as an animated cartoon.

For most of the last few weeks, I’ve been still, seeking sleep whenever possible. Depression wraps me up like a wet carpet, and I’ve been a good human to sleep on.

But living with bipolar is like living with a volcano. It rumbles in the darkness until it’s time to explode and let the steam and fire out. Sometime heat is power. It drives me out of bed into my office to write and read and paint. It also, however, can become a wild fire easily out of control, coaxing me to take on more commitments than I handle in a lifetime, spending on things no one ever needs, and torching anything in its vicinity.

So even though the screen is off, Jim-Bob knows my tapping hand is a sure sign the mania is still burning, ready to send this lumpy lady back into space, and he decide to stay put until the fire cools.

It’s Not Them

Winter at Heart

Even shielded from news most of the day because of the internet ban at work, it’s impossible to avoid all awareness of an earth-turned-inferno and humanity’s own seeming desire to immolate itself in war. Sometimes it’s hard not to wonder, “What’s the point?”

But the minute I start asking that question, I know it’s not the news. It’s me.

Hammering out a few words each day has seemed to be a Herculean task, and, until last night, I hadn’t touched a canvas in months. I know that, even though in some cases, things really are that bad for some of the world, right now, depression is warping the lens of my mind’s eye.

Sometimes depression is like seeing through a fog, but there are times when it is like living with a lens stopped down to the smallest aperture. It throws everything into sharp, extreme focus. There are no soft edges. There is no cropping out ugly details that make the world seem like an overflowing landfill that hardly needs anymore pointless paintings or posts.

And I know it’s not the world, it’s me – at the moment.

I like to think the depression isn’t who I am, but it’s been with me, off and on, since I could crawl. It’s at least as much a part of me as being near-sighted, and there are even times I’m glad for the hyper focus (this isn’t one of them).

I was driving home tonight, still struggling for what to paint or draw. I knew my head needs me to but couldn’t reconcile my need with the resources it would use, the waste it might generate, or the pointlessness of making anything.

Usually Facebook is the opposite of an anti-depressant, so it was against my better judgement (already shaky this week) that I launched it on my phone when I got home and sat down to decompress. The first photo that hit my feed, however, was a screenshot of a September tweet from Dan Rather that went like this:

“Somewhere, amid the darkness, a painter measures a canvas, a poets tests a line aloud, a songwriter brings a melody into tune. Art inspires, provokes thought, reflects beauty and pain. I seek it out even more in these times. And, in doing so, I find hope in the human spirit.”

It was one answer to a question I ask all the time – especially when my focus is sharp but corrupted .

Is art selfish?

I know art is therapy – a softening of the lens. When continents really are on fire, when children are living in prisons and adults are making more misery from war, however, I hope for it to be a light in the darkness. For tonight, the hope is enough to let some softness into my view.

Poem – Stopping Down

I stopped all the way down

And now my field is deep,

Focused and sharp,

Too treacherous to roam.

Something New

Depression may inspire creative bursts of energy once it’s gone, but, more often, I’ve found that giving into creativity has to happen before the depression can truly start to recede. Sometimes, that surrender starts with trying something new.

I recently stumbled onto a quote by Plutarch that goes, “Painting is silent poetry, and poetry is painting that speaks.” The quote has been rumbling around in my brain for a few days now, seemingly more accurate each time I recall it.

I often paint because I cannot find words that vent emotions without being destructive. Whether or not it leads to good or bad art is irrelevant. The creating on canvas is the path away from hurt and from hurting others.

Lately, I’ve been writing more and painting less (it goes in cycles), But there are still nights I struggle to distill churning feelings and events into text. Last night, watching our orange tabby embrace his carefree, hedonistic identity and, as always, still wondering about my own, I got stuck between picking up a brush or opening the keyboard. Then, instead of sitting and stewing about it for another half hour until I was too tired to do anything useful, I got up and retrieved a journal from my office and decided to try something new.

I decided to try and make a painting that spoke.

I’ve written maybe three or four poems in the last seven years. It is certainly not a forte. As with the act of painting that leads me away from hurt and hurting, however, trying to write poetry was not about making something good, it was about actively surrendering to creativity.

Poem: The Business of Being

Fat, orange, arranged on the table

Like an idol on an altar,

The tabby invest his life, without reservation,

In the business,

Not of being born or changing or dying

But of being the libertine he is.

And I, still changing, still searching,

Craving substance, loathing indolence but filled with envy,

Can feel the faith of one who’s found

A business of being meant just for him.

Presence

I mentally patted myself on the back as I got out of the driveway only 5 or 10 minutes late. The town was covered with a fresh 6” dusting of snow, and, as I made my way down the mountain and my favorite scene came into view, I had to stop and snap a photo and then remember to breathe again. The world looked – and, thanks also to my cargo, felt – a lot like Christmas, but something nagged at my spirit.

The backseat of my car was filled with orange drawstring knapsacks, each filled with art supplies (art kits) for kids in need. This delivery was different from others I had made in the past because I know the girls who will be receiving the kits. I teach them every day.

About three years ago, I started raising money to buy art kits for kids in foster care and for recently-arrived refugee children. When Thing1 got sick, I pushed pause on the project. This month seemed like a good time to hit play again, even if only for a few days.

Most of our girls are in the custody of child services because of myriad family issues. Some of them may go home for brief holiday visits. There are more than a few girls, however, who will wake up in their dormitories on Christmas morning.

The school works hard to make the season bright for the students, but, as we prepared activities for them, I became much more keenly aware of how many ways this season can be difficult for a lot of people. Almost every movie celebrates this as a season of family, but all of our students are at our school because of family issues. We can’t replace their families, but we can remind them that they are cared for, that they are precious to someone.

I’m giving the art kits anonymously, hoping they get some enjoyment out of them. I know, however, that what these kids need is for the adults in their lives – parents, teachers, caretakers — to be present, physically and emotionally.

They will have caring staff with them on Christmas Day, but, as I’ve heard so many other teachers say over the years, these kids are, in a way, my kids. There’s more than a small part of me that wants to spend some time with them on that day (a few other teachers at school do).

Our family will be out of town with extended family, keeping a biannual tradition, but as I took in Mother Nature’s holiday finery, I made a silent promise to make sure that my next Christmas will include these kids. It will be as much about being present as it is about giving presents.